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pam-robe-a-la-francaise-underskirt-98

I have completed the underskirt for the robe a la Francaise I'm building over that pink lacy monster pannier I made a few weeks ago.  The photos really don't convey how enormous this thing is!  It is so gloriously ginormously gigantic, my client will feel like she should be roaming the rooms of Versailles. Well, that is, if she is able to exit her dressing room. The door is likely too small to allow this awesomeness to pass.

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I love how it turned out, looks like a pretty princess cupcake!

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alisa-robe-a-la-anglaise-212

I am really surprised at how long it took me to make this gown! In my head everything is so simple, yet the execution took 50 times longer than I ever expected.  Real life constantly interrupts me, and I need to find a way to deal with that effectively. .. and I can't really whine about it, as this is a problem every seamstress in the world shares!  If anyone has any tips-- clue me in!  I am already working on my next project, so this post will be rather prose sparse-- but, as I took photos along the way, I might as well show them!

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If you missed my previous post and would like to see the gown all done, you can go here:

LiveJournal Entry

or here:

Starlight Masquerade Portfolio
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...has finally ended.

I don't even have anything left in the tank to do a proper profanities-laden "how I did it" post. These are the photos I took for my website portfolio, and once again, the fabric was CRAZYPANTS to photograph. It had a neon magenta warp and a canary yellow weft... I'm not kidding. It ended up looking like a pumpkin burgundy type color, but up close and in certain lights, this mother was rather electric looking. This fabric was sent to me to use by my client, and I used every last scrap of it, as I always do, right down to last whispy fraying inch. The fabric was physically lovely to work with, the polyester silky behaved nice and easy... but, mentally, it was a total brain-bender. It had swirly vine embroidery, thick velvet flowers, vertical stripes of baby ruffles and a sheen that had to be matched top to bottom... any pattern piece cut sideways or angled was a completely different color. Yikes. But, I worked it and made it work!

I am so glad to be done!


alisa-robe-a-la-anglaise-212So. Many. Photos. )
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jeweled-ermine-royal-cloak-45

I have a lovely client named Alisa, from The Ladies of History, and for her next cosplay she would like to be Catherine the Great. She sent me three and a half yards of blue velour upholstery fabric and a vintage fur stole to make the cloak with... Only 3.5 yards? With a nap? For a cloak? That has to go over an 18th century gown? I just about fainted. It couldn't be done! Cloaks need loads of yardage to look nice, a skimpy cloak just looks stupid, especially if you're going to portray a Queen! I had no idea how I was going to make this work.

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YEAH!

Nov. 20th, 2013 03:45 pm
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Thanks to some invaluable advice from photography savvy friends, namely [livejournal.com profile] jenthompson and [livejournal.com profile] katexxxxxx, I have managed to take photos of this dress that make it look nice. THANK YOU!

http://starlightmasquerade.com/portfolio/violet-roses-robe-a-la-francaise/ (a lot of photos here)

Let me know what you think, now that you can actually see the dress!

violet-robe-a-la-francaise-41
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violetsleeve9

I made these sleeves in a totally jackass sort of way-- sorry. They have no basis in historical reality at all, I made them so they would be super easy to wear and alter, meaning they needed to be one piece and have an inner seam that completly controls the size of the sleeve. I have thought of a better way to make them easier to deal with, but naturally I didn't think of it until everything was all done. Whoops. Always learning! I wonder when everything will stop being a prototype??
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violet-bodice-12


The bodice fronts came together pretty smoothly, which is totally not normal!

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lucia-echelle-stomacher-9

In the continuation of the Violet gown, I painstakingly cut out all the remaining pieces needed, sliced up and prepped the furbelow strips, and then was suddenly struck to make the stomacher first. I usually leave the stomacher until last, but couldn't this time-- with such a meager amount of fabric left, I had to make sure I had what I needed for the stomacher, and then I could fudge the skirt furbelows with scrap-pieced strips. Couldn't do that with the stomacher! It's such a focal point I wanted it to be lovely-- and I wanted it to be echelle.

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icon

There is a distinct possibility that I will be able to attend Costume College next year, and have decided to join the Court Ensembles Project created by Kendra over at Demode Couture. So many people have already staked claims to so many amazing gowns! I hope they all come into fruition, because wouldn't that just be amazing?

http://demodecouture.com/18th-century-court/

Anyway, Here is the gown I have chosen to emulate:

1e8162c336a107fe1e216e0f10997839


Isn't it gorgeous?! I have been loving it for quite a while now, and finally have an "excuse" to make it!  It's sitting in the Museum of London, and I wish I could find better photos of it, but so far, no-- just tiny ones. I suppose I could buy a copy, and it may come to that!

http://www.museumoflondonprints.com/image/138319/unknown-french-hooped-silk-brocade-dress-18th-century

I have no idea what color it will be, but I love fabric shopping so it will be super fun to find just the right thing! I have a lot of time to make this dress, and yet no time at all. Must stay organized and progressive!



 
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taupe-robe-a-la-francaise-done-2

You know, I couldn't decide between two stomacher styles...

So I made both!

taupe-robe-a-la-francaise-done-1

Clear your schedule-- it's a doozy! )
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taupe-robe-a-la-francaise-sleeves-18

I have sleeves!

They are not yet attached to the main gown, but will be tomorrow. I began to set them, scoffing at the people who call sleeves sleevils. And you know what happened? THEY TURNED SLEEVIL.  It's really awkward getting in there and I kept catching the lining in the seam allowance and enough was enough. Tomorrow I'll tackle it with a fresh head.

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taupe-robe-a-la-francaise-skirt-front-0

Finally got the skirt fronts attached to the bodice fronts.  Took me all friggin' day, not sure why.  Probably because I fuss and fuss and do and re-do over and over again.  I wonder what it would be like to just slap something together and say, There! Done! and not notice the slightest wonkiness and waste the day trying to get rid of it. I just can't do it. I'm not even a perfectionist (obviously, I'm a total slob and nothing I've ever made has been perfect) So I don't know why I can't just get on with the project instead of miring up getting rid of a wrinkle or whatever. I'm not even successful! I just waste days trying to get it right. Oh well.

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taupe-robe-a-la-francaise-bodice-front-33

It took me days and days and days to finish this-- end of summer with school looming next week is always a time sucker. Darn kids neeeding clothes and haircuts and school supplies and such.  Earlier in the summer I thought I could FOR SURE get these two gowns done-- ha! What a joke on me that was. Oh well, there is really no due date, I just want to get them done ASAP... so I will keep plugging along, even if it takes me days and days.

If you are looking for an authentic way to put together a historical Robe a la Francaise, you will be disappointed in me. I am cobbling this bodice together with a method I made up with no thought to historicality at all.  The gown is for a dancer, so she needs to be able to dress herself and not wear any stays. This is what I came up with to accomodate her needs.

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taupe robe a la francaise back asssembly

I am making the violet gown and this gown simultaneously, for the same lady, so you will see a lot of weird double posts in the future. Trying to get these done before school starts! 

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Purple Robe a la Francaise Back Assembly

The back is done! I love the saque backs, they are just so damn pretty!  The fabric, though-- yet another fabric that I can't photograph well! Ah well.

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Here is the underskirt of the second gown I am making for my dear friend Lucia, who is a historical dancer, artist and party organizer in Italy. I LOVE IT! Wow did it turn out nice. It is a violet dupioni silk-- a fairly rough weave, but I don't care, it's pretty.


Pics! Pics! More Pics! )
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Whelp, it turned out exactly as I saw it in my head.

 photo taupe26_zpsa7a913b3.jpg
I love love love the subtle twinkle of the bugle beads on the trim-- looks so good!


I like pictures. Lots and lots of pictures. )


The second skirt is being worked on, leave it to me to pick persnickety methods of furbelowing! I never choose the easy way out, despite desperately wanting to take the easy way out. Ha!
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 photo ivorypanniers1_zps5ef6c763.jpg

I made these last week, intending for them to be one of my quick morning projects. HAHAHAHAHAHAHAHAHA, no. It took me twice as long as I intended-- four hours instead of two.  I think I just moved way too leisurely to get them done before lunch. ALMOST!! I think with more practice it will get faster. But, for the time being, I'm calling panniers a two-day project. Not bad, though! I'm pretty pleased they are done to completion, useable, and pretty. Win!


Always more! )

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